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          <dc:title xml:lang="ja">バレエ《くるみ割り人形》を題材とした学際的な音楽のコラボレーション：伝統楽器と電子テクノロジーを含む音楽と身体表現・物語の関わり合い</dc:title>
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            <jpcoar:creatorName xml:lang="ja">壽谷, 静香</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="ja-Kana">スタニ, シズカ</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="en">Sutani , Shizuka</jpcoar:creatorName>
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            <jpcoar:creatorName xml:lang="ja">竹澤 , 栄祐</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="ja-Kana">タケザワ, エイスケ</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="en">Takezawa, Eisuke</jpcoar:creatorName>
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            <jpcoar:creatorName xml:lang="ja">筒石 , 賢昭山</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="ja-Kana">タケシ, ケンショウ</jpcoar:creatorName>
            <jpcoar:creatorName xml:lang="en">Takeshi, Kensho</jpcoar:creatorName>
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          <datacite:description descriptionType="Other">伝統楽器と電子テクノロジーを含む音楽と身体表現・物語の関わり合いに照準をあて、ミュージッキングの実践として、国語や情報教育の研究者等が協同し、バレエ《くるみ割り人形》を題材とした学際的な音楽のコラボレーションを試みた事例を検証した。</datacite:description>
          <dc:publisher>日本音楽教育学会</dc:publisher>
          <datacite:date dateType="Issued">2020</datacite:date>
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          <jpcoar:sourceIdentifier identifierType="PISSN">0289-6907</jpcoar:sourceIdentifier>
          <jpcoar:sourceTitle>音楽教育学</jpcoar:sourceTitle>
          <jpcoar:volume>49</jpcoar:volume>
          <jpcoar:issue>2</jpcoar:issue>
          <jpcoar:pageStart>63</jpcoar:pageStart>
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