@article{oai:mimasaka.repo.nii.ac.jp:02000107,
 author = {高久,新吾 and 桐山,伸也},
 issue = {1},
 journal = {ヒューマンインタフェース学会論文誌},
 month = {},
 note = {Abstract - In general, it is very rare for an individual to carry a piano, and in concerts, the piano provided at the venue is often used. After the piano is delivered to the venue, it will change over time as it is placed in various environments, and consumable parts will deteriorate, resulting in changes in timbre and touch. For this reason, the pianos in the hall are not always kept in the same condition, and not all of them are kept in good condition depending on the location and management method. This study used three types of pianos, and analyzed and considered performance recordings and questionnaire surveys. Among them, we analyzed the items that showed individual differences, such as the sound desired by the performers and the feeling of the keyboard, and clarified the items that showed individual differences and those that did not, based on statistical analysis. In addition, after sorting out the viewpoints based on the presence or absence of individual differences, a detailed analysis including free-form comments was conducted, and the actual conditions of what characteristics players emphasized regarding the state of the piano were investigated.
Keywords : piano, hammer hardness, performers’ adaptation to instruments ,performers’ personal characteristics},
 pages = {15--24},
 title = {楽器が演奏者と互恵的な関係を築くためのアプローチ：ピアノのハンマーの状態に着目した演奏分析},
 volume = {26},
 year = {2024},
 yomi = {タカク,シンゴ and キリヤマ,シンヤ}
}