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楽器が演奏者と互恵的な関係を築くためのアプローチ:ピアノのハンマーの状態に着目した演奏分析
https://mimasaka.repo.nii.ac.jp/records/2000107
https://mimasaka.repo.nii.ac.jp/records/20001073c711098-b3a7-4e9f-944d-3e90a0414aaf
名前 / ファイル | ライセンス | アクション |
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Item type | その他 / Others(1) | |||||||||||||
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公開日 | 2024-04-12 | |||||||||||||
タイトル | ||||||||||||||
言語 | ja | |||||||||||||
タイトル | 楽器が演奏者と互恵的な関係を築くためのアプローチ:ピアノのハンマーの状態に着目した演奏分析 | |||||||||||||
タイトル | ||||||||||||||
言語 | en | |||||||||||||
タイトル | An approach for building a reciprocal relationship between the instrument and the performer | |||||||||||||
言語 | ||||||||||||||
言語 | jpn | |||||||||||||
資源タイプ | ||||||||||||||
資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||||||
資源タイプ | journal article | |||||||||||||
著者 |
高久,新吾
× 高久,新吾
× 桐山,伸也
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著者(英) | ||||||||||||||
姓名 | Takaku,Shingo | |||||||||||||
言語 | en | |||||||||||||
著者(英) | ||||||||||||||
姓名 | Kiriyama,Shinya | |||||||||||||
言語 | en | |||||||||||||
内容記述 | ||||||||||||||
内容記述タイプ | Other | |||||||||||||
内容記述 | Abstract - In general, it is very rare for an individual to carry a piano, and in concerts, the piano provided at the venue is often used. After the piano is delivered to the venue, it will change over time as it is placed in various environments, and consumable parts will deteriorate, resulting in changes in timbre and touch. For this reason, the pianos in the hall are not always kept in the same condition, and not all of them are kept in good condition depending on the location and management method. This study used three types of pianos, and analyzed and considered performance recordings and questionnaire surveys. Among them, we analyzed the items that showed individual differences, such as the sound desired by the performers and the feeling of the keyboard, and clarified the items that showed individual differences and those that did not, based on statistical analysis. In addition, after sorting out the viewpoints based on the presence or absence of individual differences, a detailed analysis including free-form comments was conducted, and the actual conditions of what characteristics players emphasized regarding the state of the piano were investigated. Keywords : piano, hammer hardness, performers’ adaptation to instruments ,performers’ personal characteristics |
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言語 | en | |||||||||||||
書誌情報 |
ja : ヒューマンインタフェース学会論文誌 巻 26, 号 1, p. 15-24, 発行日 2024 |
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出版者 | ||||||||||||||
言語 | ja | |||||||||||||
出版者 | ヒューマンインタフェース学会 | |||||||||||||
ISSN | ||||||||||||||
収録物識別子タイプ | ISSN | |||||||||||||
収録物識別子 | 13447262 | |||||||||||||
書誌レコードID | ||||||||||||||
収録物識別子タイプ | NCID | |||||||||||||
収録物識別子 | AA12557262 | |||||||||||||
DOI | ||||||||||||||
識別子タイプ | DOI | |||||||||||||
関連識別子 | https://doi.org/10.11184/his.26.1_15 | |||||||||||||
著者版フラグ | ||||||||||||||
出版タイプ | VoR | |||||||||||||
出版タイプResource | http://purl.org/coar/version/c_970fb48d4fbd8a85 |